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As a fan of Asian cinema, I’ve often wondered why I haven’t reviewed more Japanese anime. Veteran anime has very complex storylines that can keep most movies to shame. “VEXILLE” (a.k.a. Vexille 2077 Nihon Sakaku, Isolation) is from the same folks responsible for Appleseed and Ghost in the Shell: S.A.C.. Director Fumihiko Sori and writer Haruka Handa’s latest is a blend of former 2 dimensional animation and 3-D effects that gives us a vision of a futuristic world. People who saw Appleseed may view the similarities to Masamune Shirow’s futuristic designs since they both worked on the 2004 hit attractive film.
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The anecdote in “Vexille” begins as Daiwa Industries leads Japan in technological advancements as an attempt for Imperial Aspirations (recalls Japan in WWII) . Daiwa began experimenting in outrageous cloning, bio-engineering human tissue to combine with machine parts. Indignant with these experiments, the U.N. orders Japan to pause all activities. In retaliation, Japan sanctions a rule of total isolation from the rest of the world, and the country even goes as far as generating a magnetic force field around its borders.
After 10 years, American intelligence intercepts information that Japan has developed a intention that can turn humans into cyborgs. A shadowy ops group called “S.W.O.R.D.” is sent to infiltrate isolated Japan to come by the truth of this matter and finish it if valuable. Vexille, one of the commando units sent to Japan soon finds herself the lone survivor who may be able to conclude Daiwa with its wrong plans. She hooks up with Maria and her gang of renegades to infiltrate Daiwa. But is Maria more than what she seems? The gruesome secret may be more than they bargained for….
I’ve read that “Vexille” wasn’t such a sizable hit when it came out in Japan. Perhaps, anime fans experienced some “cyberpunk” overload because there are quite a lot of features that exhibit a futuristic world with “mechas” involved; or maybe because the location in “Vexille” portrays the country as a “rogue” government in the world’s eyes. I wouldn’t know the suitable reason. But this novel work by Sori and Handa seemed too similar to Shirow’s past works. It incorporates familiar themes of the usual corporate entity that wants to play God, a strong-willed, gutsy but glowing heroine, futuristic military weaponry and the premise of man vs. machine or the morality of man and machine. The film may actually be homage to Masamune Shirow.
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The animation in “Vexille” is kind of a mixed bag. I loved the fact that the characters don’t have the usual over-expressive “bulging” eyes, queer colored hair and perfect complexion. Vexille and Maria (as well the entire supporting cast) looked almost realistic in their features, it sidestepped the usual anime conventions that we’re ragged to in the past. Their movements are also very fluid and still that outshines the motion bewitch in “Beowulf” but comes a lot short of the quality of the astonishing animation in “Final Fantasy: Advent Children”. I also found it a bit silly that Americans looked like they’re mixed and level-headed looked a tad Asian. (Not complaining, objective stating an observation) Also, I saw this film in its novel Japanese language; deliver actors Yasuko Matsuyuri as sexy rebel, Maria (This character makes me want to become a cartoon) and Meisa Kuroki as Vexille do a very decent job in expressing emotions.
The film totally looks engaging with the execution of CGI and ancient cell animation. The effects work by Oxybot is perfect for this type of movie. “Vexille” seems to borrow elements from Ghost in the Shell, Blade Runner and even Dune. (You’ll be impressed once you peruse the “Jags”) The one fault that the film has, that somewhat lost its effectiveness is the lack of dramatic impact. The sage is deep enough to hold experienced viewers involved but the execution seemed a bit lackluster. It opted to choose for the usual histrionics and missed a extraordinary opportunity for emotional yelp by exploring the dramatic repercussions of the film’s main premise. Graphics can only carry an provocative feature so far.
Overall, I did be pleased “Vexille” more than I did “Appleseed Ex Machina”. I guess I’m so mature to Anime with all the dramatic elements explored that I was somewhat disappointed. The film had all the dynamic potential with its deep premise that wasn’t fully realized.
Recommended! For Japanese Anime or Sci-Fi films FANS! [3 ½ Stars]
After reading a short synopsis and the Japanese version trailer of this movie (when looking for something to go discover one evening), I figured I’d check it out. I’m not a tremendous fan of a lot of Japanese anime, though some of it is icy, and I’m not normally a immense fan of appealing drama/action in general, but WOW was Vexille a beneficial surprise! If I had to compare it to something, I would say it’s Final Fantasy meets Titan A.E. and maybe a slight bit of the Matrix.
The animation style was honest lovely! The mix of cartoon with computer-generated animation was a quick-witted watch to sight. The scenes in this movie had extraordinary dimension, color, style, and a totally mesmerizing quality. It definitely made it very easy to gain myself drawn into this futuristic world.
The sage is huge too! Salubrious character development and a sci-fi element that is at least partially believable (and certainly, if nothing else, enchanting) . Region in the year 2077, the technology is slick, clever, and chilly – yet not so far fetched that you can’t imagine the possibilities suggested. Unplug and remove into the fantasy and you’ll have a titanic time. The movie has a bit of a Matrix quality in that (aside from its determined political elements) there is the strong sense of an underlying (almost spiritual) theme driving the narrative but it’s objective far enough removed from the surface epic that you can dig for messages if you want to or objective relish the plug without getting into the philosophy of the film. I like movies that have multi-faceted elements like this. It made me want to gape it again to try and device more out of it.
In short, the movie is vast! It’s more of a drama than out and out action (so it might strike some viewers as a small slow-paced in places), but the action is fun and the sage is qualified. The characters are such that you care about them and that draws you even further into the narrative. There is also some wintry music in the film, well placed with the various scenes and modern enough so that it doesn’t strike as typical. My celebrated songs are “Target Practice” by Asian Dub Foundation, “Bird Flu” by M.I.A. and “The Virus” by Paul Oakenfold. Again, the artwork and C.G. effects are resplendent and really fun to spy.
I loved the movie and would search for it again (and will) because I’m ordering it today! Parents who are interesting about the enlighten will be gratified to know that there are no sexual themes in this film. There is a light sub context of a treasure yarn note, but it’s not the main focus of the film. There is sci-fi action and violence but nothing bloody or grotesque. There is a miniature bit of language, thus earning it its PG-13 rating.
If you like anime or fair honorable sci-fi, both elements should please. I recommend it.
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