Watch L’ Ennui Movie Online

February 9th, 2010 by erin847261
Watch L' Ennui Movie Online. Watch L’ Ennui Movie Online.

Movie Title: L’ Ennui
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L’Ennui is driven by a very clever idea and a curious understanding of the perverse quirks of human nature (and male sexuality.) It’s classic male fantasy turned nightmare: an older man falls for a younger girl who is beautiful, naive, sexually voracious, and utterly pliant. It’s a pornographic dream that gradually becomes more and more hellish to the middle-aged protaganist, who is disillusioned with life (the French call it “ennui”), and groping for some kind of meaning. For, ironically, the utterly sexually available girl cannot be possessed; she is utterly opaque, and because he cannot inhabit her mind, cannot make her feel intensely for him, he becomes neurotically obsessed by her, which, of course, leads to all kinds of abjection and abasement for him. In this, the film explores the tension between the male dream of feminine passivity, and the male nightmare of feminine impassivity.
L’Ennui falters quite a lot; it’s turgid, and probably forty minutes too long, hammering the point home long after the emotional terrain of the film has been traversed. Still, it’s an intriguing film, often blackly funny, insightful, and, erotic in the way only French films dare to be, all jiggling flesh and too much reality for audiences reared on the smoothed over nothingness of Hollywood.

I think you miss the whole point of this movie if you are expecting a typical Hollywood “brainwashing” movie. This movie is French. The whole point of the movie is precisely that the woman is not slim and gorgeous like a model (as Hollywood would make you want to believe all woman should be to be desirable to men). The fact that she is chubby makes the point precisely. She is not beautiful in his eyes, she is plain and chubby but he is crazy about her, why? because he cannot posses her. (Apart from physical pleasure there is nothing he can give her to make her interested in him.) And the farther away she is emotionally the more he wants her, and the more obsessed he gets with her. It has nothing to do with the outer physical beauty –she has managed to possess him in every way, without the “beauty” attributes that Hollywood movies would want to instill in the audiences. Her character has weaknesses as to the emotional and that is what drives him crazy about her. This movie is a great awakening into the deeper psyche of men.
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Shigurui: Death Frenzy Complete Box Set Movie Streaming

February 8th, 2010 by erin847261
Shigurui: Death Frenzy Complete Box Set Movie Streaming. Shigurui: Death Frenzy Complete Box Set Movie Streaming.

Movie Title: Shigurui: Death Frenzy Complete Box Set
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Shigurui: Death Frenzy Complete Box Set [Blu-ray]

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This is a title that seemed to come out of nowhere, and it was great from the start. How could this have been passed up by me?

Yes, the story revolves around early dynasty Japan and Samurai, but it is not what I expected, or have really seen before.

First off, unlike most Anime, the music is absolutely excellent, and makes this story dark, brooding and mysterious. It is deep and effective. No goofy J-pop teenager whailing her head off here, just dynamic and powerful, as soundtrack should be.

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Second, the figure detail is better than the box lets on. There’s a wealth of art in this story, and the stylization of the drawing, painting, and even 3D varies regularly, without jumping around so much you get dizzy.

Really, they may use only subtle 3D techniques, but they are gorgeous.

Lastly is the story. I actually read a review here that said it was “slow”. Perhaps it could be seen that way, but only if you’re looking for a sword fighting frenzy. This is so much more than action. I just have to say that these writers know how to do what is missing from most anime, and that is how to create depth without needing a saga of episodes to successfully develop the characters and plot. From the very first episode, I was hooked. I’ve been watching anime since the beginning, and this is one that I’m buying on Blu-ray. The dialogue and sets, the tension, the darkness, and the violence all have space to breathe, and flow together very well.

Put all these elements together and you have a viewing experience that no anime fan will easily forget. This is going on my top 20 list, and certainly is my favorite Samurai anime of all time. (Yes, better than Samurai 7, and better than Sword of the Stranger, just to name a few.) It’s simply darker, deeper, and more mature on many levels. Sound like your style? Good, then buy it and help the industry.

I dont get why people would give it anything less than five stars. I’ve only watched 1 disk and i could not watch the other one and still be happy with this purchase. It is a beautifully done anime with intense visuals. Both artistic and gory. At first i didn’t understand what was going on because it starts at the end. But once it goes into the real story you are so caught up in what is going on that i couldn’t stop watching. I watched the entire first disk in one sitting after dinner. By far one of my new favorites. If you like more complex and mature anime, you will love this.
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Watch You See Me Laughin’ Movie Online

February 8th, 2010 by erin847261
Watch You See Me Laughin' Movie Online. Watch You See Me Laughin’ Movie Online.

Movie Title: You See Me Laughin’
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This is the real deal…back-porch players in their own delta environment who don’t give a tinker’s damn about anything but playing their music, drinkin’, and enjoying what’s left of thier time on earth. Their sensibility is miles away from the music business as we know it, and thank God for it because most people are completely oblivious to southern blues musician mindset and would probably never have a chance to “get it” otherwise because most of these players are truly a dying breed.

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This film captures the heart and spirit of real African-American bluesmen who are still poor after being semi-famous for years…and they really couldn’t care less. R. L. Burnside in particular has been releasing albums and playing around for years, been reviewed and celebrated in all the best rock and indie-alternative press, and still lives like any poor, black rural working man. These guys don’t care about fancy boutique amps and expensive “guitar show” instruments. They make all the sound they need from a typical hodge-podge of beat up pawn shop instruments, playing in some cases with simple buttern knives when their hands no longer work.

If you understand the connection that the ancient African music traditions have to roots American music, look no further than this movie as an example of how it was preserved and passed on in the new world to this present day. This film may be one of the last testaments to a culture that will surely disappear soon in this 21st century.

if you enjoy music, you will enjoy this dvd. this is the real deal. these guys dont care about careers, success etc. this is pure art, pure emotion. if you watch this (and it resonates, i.e. you “get it”) most other music will become irrelavant.
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Watch Stormy Weather Movie Online

February 7th, 2010 by erin847261
Watch Stormy Weather Movie Online. Watch Stormy Weather Movie Online.

Movie Title: Stormy Weather
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Vaguely based on the life of Bill “Bojangles” Robinson himself, STORMY WEATHER offers the story of a WWI vet who falls in love with a singer–and under her influence goes into show business, only to find that their careers draw them in different directions. As a story, it is pretty slim stuff… but as a collection of musical turns by some of the early 1940s best black talent, it simply can’t be beat.

Robinson was, of course, one of the truly great dancers of his era. Made late in his career, this film doesn’t really manage to capture the scope of his talents, but he remains a constant joy to watch. A very young and remarkably beautiful Lena Horne also offers several enjoyable songs, including one that she would go on to perform with increasing sophistocation and ultimately make entirely her own: the title tune “Stormy Weather.” In addition to Calloway and Horne, STORMY WEATHER offers great performances by such under-filmed artists as Cab Calloway, Katherine Dunham, Fats Waller (performing his signature tune, “Ain’t Misbehaving”), the brillant Nicholas Brothers, and Ada Brown, as well as the popular comic actor Dooley Wilson. Expect nothing from the story, but you won’t be disappointed by this rare glimpse at some truly remarkable talents.

First thing…If this is what Harlem was like in the 40’s it was jammin. First of all Lena Horne has to be the classiest woman alive (then and now). Bill “Bojangles” Robinson is great, giving just the right amount of humor and entertainment. And of course, nobody I mean NOBODY, was as bad as Cab Calloway and the Nicholas Brothers (who Fred Astaire by the way fancied some of his tap dancing moves from – I saw it on numerous PBS specials that he was a major fan of theirs). Although it may have some stereotypical parts in it, it is wonderful to see a movie where black people were respectful to one another, classy dressers and had good times with one another.

The best part of this film? In a way it is very hard for me to pinpoint…I love when Fats Waller and Ida Wells start signing “Having yourself a Ball”. My grandparents used to sing it and lord knows Fats and Ida are singing the hell out if it! But the absolute BEST part has to be the finale when Cab is signing “Jumpin Jive” and the Nicholas Brothers dance on that staircase. This was a fantastic all-black hollywood musical. Thank God for video and DVD!
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The Weather Underground Streaming

February 7th, 2010 by erin847261
The Weather Underground Streaming. The Weather Underground Streaming.

Movie Title: The Weather Underground
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In some ways, the group known as the Weather Underground (originally the Weathermen, an offshoot of Students for a Democratic Society) were more a symbol of 1960s radical idealism than a real revolutionary movement. Although they planted many bombs during a decade-long period, they never did anything that seriously threatened the government or power structure. Their goal, of course, was to spark a mass movement and inspire others to follow their example, but they remained essentially marginalized. The film, The Weather Underground does a good job at letting members of this group explain their motives and, in some cases, misgivings about their foray into revolution. Directors Bill Siegel and Sam Green seem to be sympathetic with the movement, and most of the material is told from the point of view of members. Leaders of the group Bernardine Dohrn and Bill Ayers have retained their radical views and are anything but apologetic about their past actions.

Most members of the group, despite the bombings, were committed to not harming people. This brings up a rather blatant omission in the film -Kathy Boudin, perhaps the group’s most notorious member (for her participation in a robbery where a man was killed) is not mentioned at all. This was an unfortunate decision, apparently done to portray the Weathermen as essentially nonviolent. To leave out such a well known chapter in the group’s history leaves a gaping hole. Still, the parts that are included are fascinating and give a glimpse into the idealism and naivete of these leftist radicals.

In retrospect, it is (at least from one perspective) a little sad to see how little long term effect the 1960s counterculture had on society. It seems that they were no match for the propaganda machine of the government and mass media. This film, of course, employs propaganda methods of its own, as when brutal footage from the Vietnam war is shown. Propaganda it may be, but it does serve to almost trivialize the violence committed by the Weathermen compared with that perpetrated by the government it was opposing. The other side to this argument is that the fact that these radicals are still alive and that a film like this has been allowed to be made is proof that America is not as oppressive as some would have us believe. Yet, this is only true to some extent; as the film explains, the FBI made a concerted (and mainly illegal) effort to destroy radical movements. There is also evidence that the government murdered members of the Black Panthers.

How you react to The Weather Underground depends on your political and cultural perspective. Regardless of this, this film is a compelling study of a radical group and gives us a glimpse into their world.

At the end of the 1960’s, the various student youth movements took a sharp turn toward the far left. Frustrated by their failures to halt America’s involvement in the Vietnam War, a growing minority of student activist leaders whole-heartedly embraced Marxist dogma and began agitating for the overthrow of the United States government. There were a few niggling problems to attend to first, such as taking over the leadership of Students for a Democratic Society (SDS), which they accomplished at the 1968 SDS national convention. An interesting thing to remember about extremists regardless of their political leanings is worth mentioning at this point: radicals can’t get along with one another. Views and positions take on the rigidity of absolute, immutable truth, and anyone who opposes those views is the enemy–even if they’re on your side to begin with. Thus SDS almost immediately disintegrated into squabbling factions of increasing irrelevancy. The most notable group to arise from the ashes of SDS were the Weathermen, an extreme far left organization devoted to bringing about a Marxist revolution in the United States. The name of the group, as you probably know if you’re reading this, came from a Bob Dylan song.

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The Weathermen, later known as the Weather Underground after the members went into hiding, utterly failed to achieve any of their objectives. Their first big action occurred in Chicago when the group launched their own version of Kristalnacht, called “The Days of Rage.” The Weathermen and their associates roamed through the streets of Chicago, breaking windows, fighting with cops, and generally making a huge nuisance of themselves. Surprisingly, this little action failed to rouse the citizenry from their capitalist coma, a realization that seemed to shock this merry bunch of pranksters. Angered by this failure, the Weathermen decided to take up bomb making as a hobby. What followed were years of targeted bombings against such diverse targets as corporations, government institutions, universities, and other structures serving the “enemies of the people.” The Weather Underground suffered setbacks, too, like the accidental detonation of a bomb that killed radicals Ted Gold, Diana Oughton, and Terry Robbins in a New York City townhouse on March 6, 1970. Still, the revolution must go on, so over the next several years the bombs continued to explode across the country as the Weather Underground continued to release written or tape recorded “communiqués” justifying their violent actions. By the early 1980s most of the members turned themselves into the authorities, exhausted from their years of living in hiding.

Why two paragraphs of tedious summary about an irrelevant political group long gone from the American landscape? Because this fascinating documentary, “The Weather Underground,” covers most of this material in minute detail through a collection of vintage news reports, documents, film footage, recreations, and interviews. Made a couple of years ago and aired widely on PBS, which is where I saw part of it and wanted more, the documentary revisits many of the principal players more than two decades after the group dissolved. We get to see and hear Billy Ayers, Bernadine Dohrn, Mark Rudd, Naomi Jaffe, David Gilbert, Brian Flanagan, and Laura Whitehorn reminisce about their days as revolutionary fighters battling for the soul of America. Moreover, interviews with former SDS leader Todd Gitlin, former Black Panther Kathleen Cleaver, and FBI agent Don Strickland provide a different point of view on the activities of the Weather Underground. By listening to these people recount their experiences, we learn more about how angry radicals became over the murder of Black Panther leader Fred Hampton, about how the group helped Timothy Leary escape from prison, and learn to marvel in awe at the massive comb over Mark Rudd sported as a young communist revolutionary.

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It’s not too difficult to see where the filmmakers’ loyalties lie regarding the activities of the Weather Underground. Although careful not to make them look too cool, it’s fairly obvious the presentation aims to present these characters as admirable figures. They placed a baseball bat in Billy Ayers’s hands as he strolled down memory lane remembering the “Days of Rage” fiasco. While we could write off this stunt as sensationalism, it’s more problematic to examine the questions put to the various members. Why did Kathy Boudin’s name never come up in the film? Probably because Boudin, unlike many members we see here, did kill people in the name of a revolutionary cause. In the early 1980s, she joined the Black Liberation Army and took part in an armored car robbery that resulted in the deaths of two police officers and a security guard. The ghost of Boudin is apparently a problem the filmmakers wished to avoid, although I should credit them for interviewing David Gilbert, a man currently serving a life sentence for his involvement in the same crime. It just seems most of the questions don’t dig too deeply into the questionable practices of the Weather revolution. Then again, maybe they don’t need to; several of the former members appear as though they’re having problems coming to terms with their past behavior. That’s a hopeful sign.

Although I’ve had rough words in the past about these people and their despicable actions, I had a tough time disliking them in the film. A few of them, primarily Mark Rudd and Brian Flanagan, seem like people you could sit down with for a few hours and have an interesting conversation about any topic. The commentary track with Ayers and Dohrn is well worth a listen primarily for the realization that even stolid commies have a self-deprecating sense of humor. But you also discover that several of these people aren’t quite ready to repudiate their former positions. I think it was Laura Whitehorn who said she would do it all over again if given the chance, a view that is hardly encouraging. Give this one a watch, though. It’s mesmerizing.

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Stream American Graffiti Online

February 7th, 2010 by erin847261
Stream American Graffiti Online. Stream American Graffiti Online.

Movie Title: American Graffiti
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“Where were you in `62?”

I wasn’t around in `62 — I was born in `63, as a matter of fact, and I was 10 when George Lucas’ American Graffiti was released. I wasn’t really aware of either George Lucas or American Graffiti in 1973, although four years later I would know Lucas from his next — and most popular — film, Star Wars. I did not go to the movies much in 1973, but I saw this wonderful film when it was broadcast by ABC some years later. (ABC, capitalizing on its “hot” new sitcom, Three’s Company, shamelessly promoted it as “starring Suzanne Somers.” In fact, Suzanne is not even billed with the eight “stars.”)

If film and television historians have it right, though, American Graffiti was the catalyst for the 1950s Nostalgia fad that begat TV’s Happy Days, Laverne and Shirley, and the blessedly short-lived Joanie Loves Chachi (not to mention Sha Na Na and Broadway`s Grease). And it isn’t terribly surprising that Happy Days and its spin-offs owe their inspiration — if not their very existence — to Lucas’ first major culturally significant film. Happy Days starred Ron Howard, who (as Ronny Howard) had second billing in Graffiti, while Laverne and Shirley costar Cindy Williams was the female lead.

American Graffiti is a bittersweet yet comedic look at what the DVD publicity blurb says was “America’s last age of innocence.” In the summer of `62, JFK was in the White House, the Beatles were still unknown in this side of the Atlantic, and drive in diners and movie palaces were very popular. There was no Internet or even Studio 54 just yet, so kids went cruising, looking for girls to pick up or rivals to race in their souped-up hot rods. (Lucas, in the Making Of documentary on the 25th Anniversary DVD, says his intent in making American Graffiti was to document cruising as a socio-cultural phenomenon that died in the more turbulent half of the 1960s.)

The movie’s structure — commonplace now but it was revolutionary at the time — intertwines several plots involving a group of recently graduated Southern California high school seniors on their last night before going to college. Curt (Richard Dreyfuss) is fretting about going to college in the East with his friend Steve (Howard). Wracked with indecision, he spends his last night in town searching for The Blonde in the White Thunderbird (Suzanne Somers in her first, albeit small, role). His misadventures cause him to step out of character, especially when he crosses paths with The Pharohs, the local gang of miscreants.

Curt’s sister Laurie (Williams) must not only cope with her brother’s last minute bout with “cold feet” but with the fear of losing Steve. In what may be a typical situation for couples who are “steady” but are going to be separated by circumstances, she’s devastated by Steve’s suggestion that they “see other people” while they are in school. “I can’t expect you to be a monk,” Laurie says with false bravado, but in “The Smoke Gets In Your Eyes” sequence, it is obvious that she is hurt and angry.

The other two subplots of this wonderful film center on Toad (Charlie Martin Smith) and John (Paul Le Mat). Toad is the car-crazy, girl-deprived nerd that we either knew in school or that we recognize in ourselves. His attempts to impress the lovely Debbie (Candy Clark) are hilarious — rivaled only by a similarly themed scene in Summer of ‘42 — only to discover that Debbie likes him for who he really is. John, on the other hand, is the Han Solo of this bunch, the high school dropout who loves fast cars and even faster women. He, too, discovers a tender side as he is saddled with 12-year-old Carol (a pre-One Day at a Time Mackenzie Phillips). Not only must he learn patience while driving around with Carol, but also he is being challenged as the top drag racer by Bob Falfa (played by the man who would be Han Solo, Harrison Ford).

All these stories will converge in a climactic, winner take all race, and several Lucas touchstones will resurface in his later Star Wars series — the choice to either take or reject a certain path, the relationship between men and their machines, and the quest for either love or adventure.

Serving as a unifying thread to all these subplots is Wolfman Jack, mostly heard on the radio but seen briefly in a Yoda/Ben Kenobi style of mentor for restless Curt.

Lucas uses music here very effectively. Each song (and there are over 40 here, ranging from Rock Around the Clock to The Great Pretender) was chosen to provide emotional context, not just period atmosphere. He envisioned American Graffiti as a musical “with no singing or dancing.”

This film is fun to watch and definitely deserves having been votes as one of the American Film Institute’s top 100 Films of All Time. Watch it with a friend or alone, and if you were of age in the 1960s, answer the movie’s famous log line: “Where were you in `62?”

I originally watched this movie in high school. Despite having been told about most of the best scenes in advance by my friends, it was still a lot of fun. Of course, a lot of other people thought so too, as it spawned a nostalgia craze for the 50s and early 60s resulting in many (too many?) seasons of “Happy Days,” among others.

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A few years ago, I saw the movie again on TV. I realized that, even though I was much more mature (at least physically), this movie still seemed very very good.

I recently got the DVD and watched it properly and I have to say that, after careful scrutiny, this really is one of the finest films ever made. I won’t retell a story that’s much better told by the movie, but: it has a lot of laughs, but it’s not entirely a comedy (especially the ending); it has plenty of music, but it’s not a musical; it has plenty of action, but no blood and gore; it seems incredibly realistic, but there is never a dull moment; there are multiple storylines and an ensemble cast, but it never gets confusing.

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Every aspect of this movie is impressive, but I’m particularly struck by the genius of George Lucas and associates when it comes to casting. Every actor in this movie seems perfect for the role they play. If you look hard you’ll see quite a few familiar faces getting their start (including Suzanne Somers very briefly as the girl in the Thunderbird). Many, particularly Harrison Ford & Richard Dreyfuss, went on to long, successful careers. Although they were all great in this film, I thought that Candy Clark was a standout.

If you get this collector’s edition of the DVD you’ll also be able to see an in-depth “extra” on the story behind the making of the film – very interesting. It’s inspiring to see that somebody as currently renowned as Lucas had to be incredibly patient and persistent (and put up with a lot of incredible Hollywood idiots) in his early days before his idea was finally realized. His success in making this movie under such tough circumstances makes the end product even more impressive. It’s also very impressive to me that George Lucas went from writing/directing/creating a movie like “THX 1138″ to this and then to “Star Wars” – all three very good and VERY different films. I don’t know of anyone else who has accomplished anything quite like that.

Although I’m now quickly approaching middle age, I wasn’t really old enough to be a part of the era depicted in the movie, so this isn’t a nostalgia trip for me. The music isn’t my music – I’m more of a post-British Invasion fan. But the fact that a movie can make you relate deeply to characters from a realistic time and place you’ve never been says something significant. Also, the fact that it I’ve now enjoyed it on several different levels and at widely varying ages says even more…

Simply one of the greatest movies ever made.

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Watch The Errol Flynn Signature Collection, Vol. 2 Movie Online

February 7th, 2010 by erin847261
Watch The Errol Flynn Signature Collection, Vol. 2 Movie Online. Watch The Errol Flynn Signature Collection, Vol. 2 Movie Online.

Movie Title: The Errol Flynn Signature Collection, Vol. 2
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The Errol Flynn Signature Collection, Vol. 2 is available for streaming or downloading.

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The immortals of the screen’s golden era transcend time because each of the true greats was an orginal. Unique. Incomparable. Gable, Garland, Garbo, Davis, Bogart, Cagney, John Wayne, Cary Grant, Katharine Hepburn, Spencer Tracy…no one was like them before, or ever will be again. The same can surely be said about the wonderful Errol Flynn.

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Warner Bros. has been quite generous in delivering us many Flynn titles in recent years, and there are dozens to go! This latest set will not dissapoint his fans, with 5 entertaining, classic vehicles, assembled in an impressive newly designed sleeve that takes the WB Signature Collection series to a higher plane of elegance and magnetism.

Every film here is top-drawer, but my particular favorite has to be CHARGE OF THE LIGHT BRIGADE. An undeniable classic which has never looked so good. All the transfers here are the best I’ve ever seen, and the vintage extras Warner has included are like the cherry on top of the sundae.

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I’m sure WB has another 2 or 3 Flynn sets waiting in the wings…and why not. He made several dozen films for the studio, and only a handful don’t classify as timeless entertainment.

While every Errol Flynn fan has individual titles they will champion as ‘Essential’ Flynn, “The Errol Flynn Signature Collection, Vol. 2″, combined with the first volume, offers a pretty complete collection of the premier screen cavalier’s most memorable screen appearances…and two of the films in this collection (”The Charge of the Light Brigade” and “The Adventures of Don Juan”), are absolute MUSTS!

“The Charge of the Light Brigade” (1936): Flynn’s follow-up to “Captain Blood” is a tour-de-force of adventure, romance, and spectacle, climaxing in, arguably, the greatest (and bloodiest) cavalry charge in screen history! More Rudyard Kipling than Tennyson, most of the story occurs in India, with noble Flynn saving the life of a genocide-minded tyrant, losing Olivia de Havilland (for once!) to future ‘Will Scarlet’ Patric Knowles, and chumming with doomed best friend (both on and off screen), David Niven. Eventually the action moves to the Crimea, and the infamous Charge, an astonishing spectacle that, sadly, cost the lives of at least one stunt man, and hundreds of horses (Flynn, himself, would be so distraught by the carnage that he helped establish the present standards against animal cruelty).

Unforgettable!

“The Adventures of Don Juan” (1948): Warner’s attempt to resuscitate Flynn’s sagging career failed, but the film is an absolutely enchanting, tongue-in-cheek swashbuckler many consider his last ‘great’ film! Looking a bit worn (he fell off the wagon early in the production, which ended up taking nearly a year to complete), Flynn is the immortal roué, too often caught during trysts (a familiar real-life dilemma for Flynn!). Returned to Spain in disgrace, accompanied by loyal Alan Hale (in the last of his 12 films with Errol), he eventually wins the heart of the Queen, foils a plot to overthrow the monarchy, and fights a furious duel with villain Robert Douglas, all to one of the GREATEST of Max Steiner’s scores!

A real TREAT!

Two other films of the collection are also great Flynn; “The Dawn Patrol” (1938) re-teams Flynn with David Niven and Basil Rathbone (a VERY sympathetic ‘villain’, this time!), in one of the BEST WWI dramas, of burnt-out fliers pushed to their limits; “Gentleman Jim” (1942), one of Flynn’s own personal favorites, is a funny, light-hearted biopic of boxer James J. Corbett, father of ‘modern’ boxing, with fabulous turns by Alan Hale (as Flynn’s FATHER!), and Ward Bond (unforgettable as the aging John L. Sullivan).

The only (slight) disappointment is “Dive Bomber” (1941), in the collection, I suspect, because it was filmed in color! A dated tale of the Navy’s research into the effects of high altitude flying on pilots, the film boasts a first-rate cast (including Fred MacMurray and Ralph Bellamy), and Flynn at his most handsome, but it lacks the charm and excitement of the other titles…Still, this isn’t a bad film!

Happily, Flynn is BACK…and with his five WWII-themed films still to be released, perhaps a Flynn ‘War’ collection will be next!

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Stream Lucky Star Vol 4 Movie Online

February 6th, 2010 by erin847261
Stream Lucky Star Vol 4 Movie Online. Stream Lucky Star Vol 4 Movie Online.

Movie Title: Lucky Star Vol 4
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Lucky Star Vol 4 is available for streaming or downloading.

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This was by far the funniest volumes I’ve ever watched. All the characters are still hilarious. Plus, three new characters are introduced: Yutaka Kobayakawa (Konata’s cousin), Minami Iswaski (Yutaka’s friend) and Patricia Martin (Konata’s co-worker @ the cosplay cafe). Out of the new characters I think that Minami is the hottest, Yutaka is so sweet she’ll give you a toothache, and Patricia is the bustiest ^_^. All in all it’s a very enjoyable DVD. I’d highly recommend it for the “Lucky Star” fans. Also, in this volume you get to hear Akira Kogami sing “Misoji Masaki (The Cape of Thirty Years)” and she sounds pretty good too (despite her attitude ^_^).

Dear reviewer,

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If you’re buying this DVD, than you’ve probably watched the other 3 volumes. Don’t be cautious with the next 3!! Kyoto Animation delievers on the spot everytime. Of course, being extremely biased on English Dubbing, I didn’t even get through a full episode of it till I switched to Japanese seiyuu’s. They need to start being serious with casting… and in till they do, I will keep listening/reading subtitle versions.

Don’t forget other Kyoto Animation titles, K-On! is airing now, very Moe and cool. Kanon (2006), Air (TV), Full Metal Panic (awesome anime), Clannad, and the ever so popular The Melancholy of Haruhi Suzumiya. Buy all of them… you wont regret it.

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Lucky Star 5/5
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Stream The Day of the Jackal Online

February 6th, 2010 by erin847261
Stream The Day of the Jackal Online. Stream The Day of the Jackal Online.

Movie Title: The Day of the Jackal
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Rarely does a movie do justice to a book, but Fred Zinneman’s production of “The Day of the Jackal” is wonderful adaptation of Frederick Forsyth’s novel which, I continue to believe, is one of the greatest thrillers ever written.

It’s hard to put a finger on what exactly makes this film great: excellent performances by relatively unknown actors, a wonderful plot, fantastic location shooting or a complete desire to avoid the bells and whistles, special effects laden movies that are all that makes up the “suspense” genre of films these days. Like other reviewers have said, be this the first or the fiftieth time that you watch this film, you will be left on the edge of your seat with its “cat and mouse” plot of the search for a lone assassin hired to murder President De Gaulle. The young Edward Fox is brilliant in the title role and the supporting cast excellent.

If anything, this film proves that you do not need big named stars, explosions around every corner or computer generated effects to make a fantastic film. The only downside to watching this film is that you realise that the movie industry just does not make films like this any more.

Highly, highly recommended.

Well, up front…I am an Edward Fox fan. Have been since he lumbered around in the 1966 FROZEN DEAD as Nazi Popcicle #3. Hey, he was one super fozen dead!! He had several good roles in next few years, but really stood out as Ian McShane’s fellow flyer in THE BATTLE OF BRITAIN. They stole the show in a cast of super Brits – Lord Larry, Michael Caine, Ralph Richardson and Robert Shaw, just to name a few – firmly setting their star potential. But Edward really carved his chunk of attention for the role as the Jackal in the 1973 DAY OF THE JACKAL.

The film is a tight production, nearly boarding on documentary. Edward portrays the meticulous hitman of many disguises who has been hired to assassinate Charles de Gaulle. Based on the spy novel from Frederick Forsyth, director Fred Zinnermann focuses on the French detectives racing to track down the elusive Jackal before it’s too late, and well as the dispassionate, professional preparations by Fox. But you are in two minds, actually. Fox is so winning in the performance, fleshing out the Jackal just not as a coldblooded killer, but as a man, so you oddly almost root for him to succeed, at the same time cheering for him to fail.

With the marvellous supporting cast of Derek Jacobi, Alan Badel, Maurice Denham, Cyril Cusack, the faced paced script by Kenneth Ross (Breaker Morant) keeps you absorbed from beginning to end.

Thanks awfully, Edward!!
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Stream Women in Love Movie Online

February 6th, 2010 by erin847261
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Movie Title: Women in Love
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Film versions of novels rarely get everything right but this comes pretty close. I especially like how effective the film is at conveying the importance of the body and physical sensation so vital in Lawrence’s writing. I think a film can only attempt to show what the book more specifically says so to the mind the book will always be preferred but with a writer like Lawrence film makes perfect sense. In fact Lawrences flaw is perhaps that he at times uses too many words when an image would suffice. So I love that someone as visually audacious as Ken Russell made this film. I’ve seen it many times and always love different things about it. Russell is usually equated with excess but here everything exists in just the right amount, nothing is overdone, he finds just the right way to convey literary content without overly revering it and so framing it too neatly. Russell remains true to the book,and to his credit the way he injects the Lawrentian themes enlivens his characters, make them seem even more vital which is no small accomplishment and so the film never feels “literary” even though it is very literary in the best sense. To Lawrence love and any kind of relationship was always marked with struggle and restlessness because it could never be perfected. He was not interested in the bourgeoisie convention of marriage which domesticated love into something else but in its truest most uncompromised state. So in this film Ken Russell gives us that. Not every detail of the whole story but the essential feeling of love as experienced by four very different temperaments and all four main characters are very different types indeed, and all react differently to passion and interpret its meaning differently also. The most beautiful scenes are the wordless ones when the characters stop analyzing what their lives are about and allow themselves to simply inhabit their own passion and instincts. I think Russell is very true to Lawrence’s concerns, perhaps shares them, but articulates them in his own visual way which really makes this a kind of collaboration with Lawrence as some of the scenes have no precedent in the book. The characters all remain complex and interesting and much remains unresolved because it is unresolvable. He also did a version of Women in Love’s companion novel The Rainbow which is only about half as good.

One of the most magnificent films and most sensuous ever made. I rented “Women in Love” years ago over and over again, until I gave up and finally bought a copy. I have grown attached to this film. Glenda Jackson deservedly won oscar for her portrayal as Gudrun. Cinematographer should have won too for his elegant photography.

When discussing this film with other film buffs, they keep mentioning the “most” brilliant scene, the nude scene with Alan Bates and Oliver Reed. I agree it’s brilliant and exotic, but there are others that are beautiful, graceful and unforgettable: 1) Jennie Linden’s nude scene with Alan Bates, circling gracefully around one another in a field while a beautiful score of music plays in the background. 2) Jackson’s dance and graceful movement while reaching for a tree branch and slowly descending to the ground and back again, while Linden sings “Pretty Bubbles”. 3) Linden’s reconciliation with Bates starting with “See what a flower I found you?” 4) Jackson’s gorgeous elongated eyes behind a veil putting on a costume in Switzerland while having an affair and Stravinsky plays in the background.

No matter how many times I see this film, I find new beautiful discoveries. I pledge people to give this one a chance and I promise it will be worth while and rewarding.
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