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Movie Title: The Petrified Forest The Petrified Forest is available for streaming or downloading. |
I’ve had the advantage of seeing The Panicked Forest as a movie and on stage. Taking into narrative the fact that the stage production I saw wasn’t the greatest, I unruffled judge that the movie version captured the legend better. The legend is dated and clearly belongs in the time period it was made, but that works in the film. The performances also work. Leslie Howard, sort of a forgotten Thirties’ star these days, manages to acquire some difficult dialogue play well. Humphrey Bogart, in an early role as the young gangster, makes his character an consuming and sympathetic figure, despite not having many moments to really execute the character with dialogue. Bette Davis brings a lot of conviction to her role as the young, plump of ideas waitress that Howard falls in treasure with. The Terrified Forest is a hostage drama, but it’s more than that. It looks at life, growth, savor, and disillusionment. It presents a nice incompatibility of characters, since Howard and Bogart are both at the destroy of their roads, having gotten there in very different ways. Bearing in mind that the film/play was written for an audience in the Thirties, today’s movie fan will calm gain truths and entertainment in it.
What a dissimilarity 70 years do. In 1936 THE Disquieted FOREST offered theater goes the arresting prospect of the re-teaming of IN HUMAN BONDAGE’S costars Leslie Howard and Bette Davis. Today Howard is practically forgotten and Davis moved on to distinguished more memorable roles. The reason eternity pays imprint to this movie is because of the breakthrough performance of the actor who shows up fifth on the cast credits, after not only Howard and Davis but Genevieve Tobin and Dick Foran as well. Although the term is overused, Humphrey Bogart is electrifying as criminal Duke Mantee, and he steals the indicate and wrestles a movie career in the process. Howard was a world class actor, and I can’t remember another instance where Davis wasn’t the most keen character on the hide. For a 30-something stage actor, and a more or less failed film star, to rob a film from these two heavyweights is a staggering achievement. For my money, Duke Mantee stands as one of Bogart’s best film performances ever.
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The movie is based on Robert Sherwood’s hit Broadway play of the same name. Howard plays gentle roustabout Alan Squier, an esthete young man hitchhiking across America, `looking for something to hold in.’ The wind shakes him out of the even demonstrate dust and deposits him at the isolated Arizona diner young Gabrielle Maple (Bette Davis) runs with her father and grandfather. Davis plays the naïve and romantic and `gabby’ young girl stuck in the middle of nowhere who paints and dreams of reuniting with her mother in France and reads the poems of Francois Villon to hold the stink of the hamburger and gasoline out of her system. The first act, and distinguished of the second, is musty to bud the romance between Alan and Gabby, all the while reminding us that brutal criminal Sever Mantee is on the loose and in the dwelling.
Of course, Mantee finally arrives and Alan presciently announces that `carnage is imminent and I’m due to be among the fallen.’ Bogart, who modeled Mantee on exact life criminal John Dillinger, then proceeds to lay claim to Hollywood immortality. With his heavy stubble and gloomy and terrorized eyes and stooped shoulders Bogart looks like a hunted beast of a man. More a mono-syllabic killer than `the last astronomical apostle of rugged individualism,’ as Alan puts it. Or, as Mantee would say, `Maybe you’re true, pal. I couldn’t say.’
THE Disturbed FOREST never quite shakes it stage heritage. Although commentator Eric Lax (Bogart biographer) tells us in his fact filled and fascinating commentary the tons of dust dilapidated on the soundstage, the film spends almost all of its time on one place – the interior of the diner – and the movie has a fair static feeling to it as a result.
The print looks and sounds broad, by the plot. The dvd also has a 15- runt feature “Menace in the Desert”, in which film historian Alain Silver and others discuss the Robert Sherwood stage play, its conversion to the shroud, and the role that state Humphrey Bogart’s star. Also included on the disk is the delectable and always welcome Warners Night at the Movie. It opens with a trailer for Bullets or Ballots, an Edgar G. Robinson crime thriller where he plays the edifying guy. That’s followed by “Rhymitis”, a dancing short with Hal LeRoy and Toby Waft. It doesn’t have mighty of a dwelling but it’s fun. A recent day alchemist comes up with a pill that makes you want to dance dance dance whenever you hear a beat that can’t be beat. Night at the Movies concludes with the color cartoon “The Coo Coo Nut Grove,” a take-off on the Coconut Grove nightclub and a lampoon of contemporary Hollywood stars – i.e., W.C. Fields as a pig, Katharine Hepburn a horse, etc.
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